Mulheres machadianas e os círculos de poder

• Ano de defesa: 2017
• Autor(a) principal: Souza, Vanessa Fátima Moraes de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Tecnológica Federal do Paraná; Pato Branco; Brasil; Programa de Pós-Graduação em Letras; UTFPR
• Palavras-chave em Português: Mulheres e literatura; Patriarcado; Literatura brasileira; Personagens literários; Literatura - Análise; Women and literature; Patriarchy; Brazilian literature; Characters and characteristics in literature; Literature - Analysis; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA; Letras
• Link de acesso: http://repositorio.utfpr.edu.br/jspui/handle/1/2602

The patriarchal order is present in many novels written from the nineteenth century, in which there is the frequent representation of the white man in prominent paper and the woman in inferior paper, of clear or veiled submission. These works include A mão e a luva (1874), Helena (1876) and Iaiá Garcia (1878), written by Machado de Assis. This work focuses on these three novels to analyze the presence of patriarchal marks in characters that belong to the bourgeois layers of society, especially the female figures, who, according to the perspective adopted here, often appear in these narratives as plaintiffs to a place nearby to the nucleus, represented by families that hold power that enjoy consideration and prestige in the society of that time. In order to carry out this analysis, besides other researchers, the theories of Roberto Reis (1987) were used to deal with the patriarchal society, the metaphors related to the "home", "street" and "other world" spatiality of Roberto DaMatta (1997a, 1997b), as well as studies about Machado’s work of Therezinha Mucci Xavier (2005), Roberto Schwarz (2012) and Valdeci Rezende Borges (2007).