Despontar uma linha de fulgor: a cinescritura de Varda à luz da textualidade de Llansol

• Ano de defesa: 2018
• Autor(a) principal: Carlos Eduardo Batista de Souza
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Agnès Varda; documentário; Escritura; Maria Gabriela Llansol; Cinema; Literatura; Literatura e psicanálise; Cinema Estética; Varda, Agnès, 928- Crítica e interpretação; Documentário (Cinema); Literatura stética; Llansol, Maria Gabriela, 1931-2008 Crítica e interpretação; Discursos portugueses História e crítica
• Link de acesso: http://hdl.handle.net/1843/LETR-BAFFDH

The cinema of Agns Varda, called by the author Cinecriture, observed from the theoretical operators or figures of Maria Gabriela Llansol, is the purpose that guides this reading, which aims to peer, in the space of the Vardian work, the conception of 'a true Fiction 'In the light of the textuality -Llansolian key figure. For this purpose, we will see three films of Agns Varda: Cléo from 5 to 7 (1962); The Gleaners and I (2000); and, conducted in collaboration with JR, Faces Places (2017). The connection between desire and scripture in Roland Barthes; the conception of affect developed by Espinosa, through the reading of Gilles Deleuze; the notion of letter in Lacan, as worked out by Lucia Castello Branco; and, also, the question of the transparency of images, found in Francis Wolff, amplified by the Llansolian thought, are the theoretical bases of this work.