Da Semana de Arte Moderna de 22 ao Ministério da Educação e da Saúde: processo de consolidação do moderno no Brasil

• Ano de defesa: 2007
• Autor(a) principal: Lazarini, Débora Faim
• Orientador(a): Mota, Carlos Guilherme Santos Serôa da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: arquitetura moderna; Ministério da Educação e da Saúde; arte moderna; Brasil
• Palavras-chave em Inglês: modern architecture; Education and Health Ministry; modern art; Brazil
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO
• Link de acesso: http://dspace.mackenzie.br/handle/10899/26042

This work has as its aim to analyze the Art and Architecture modernism s trajectory consolidation aspects in Brazil, studing the period of time that goes from Modern Art Week (1922) to Education and Health Ministry building project formulation (1936), in order to verify what manner economic, political, social and, above all, cultural order happenings have contributed to the appearance of the brazilian modern architecture that would be, in the following decades, issue for eulogious international studies. In view of the relationship between historical process, it makes an analysis that surpasses by a panoramic vision and that, following chronologic narration order, it extracts distincts elements that have already been separately studied in knowledge areas as history, literature, sociology, arts, architecture, etc., in order to compose a frame to allow understanding the Ministry s episode inside our history time line. Taking the success reached by our modern architecture as a presumption which is a result of a happy conciliations between modernity and tradition, this research goes to indicate signs, not only from the political and economical moments, but above all, from the modernist intellectuality proceeding from 22 Week, specially from nationalist groups, that let the brazilian architects to think about an architecture with brazilian characteristics, different from the architecture produced in other countries and continents.