Pensamento e impossibilidade: interseções entre M. C. Escher e Gilles Deleuze

• Ano de defesa: 2010
• Autor(a) principal: Costa, Paulo Henrique Dias
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Filosofia; Ciências Humanas; UFU
• Palavras-chave em Português: Deleuze, Escher; Paradoxo; Acontecimento; Mundos incompossíveis; Objetos impossíveis; Escher, M. C. (Maurits Cornelis), 1898-1972; Deleuze, Gilles, 1925-1995; Metafísica; Representação (Filosofia); Objetos inexistentes (Filosofia); Mimese na arte; Paradox; Imcompossibles words; Impossibles objects; CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/15533

This article attempts to establish a relationship between the philosophy of Gilles Deleuze and the artistic productions of M.C.Escher. Thus, we present a discussion on the concepts of representation, simulacra and event, covering the development of these within the Art and Philosophy. We use the artistic productions of Escher to illustrate the appearance of these productions that are on the limit between the definition and the paradox. We believe that both Deleuze as Escher explored this fissure where the paradoxical forces are held in a double sense that never reaches the final term. These thinkers stepped into this space of intensive forces, however, without be engulfed into an abyss undifferentiated. We will use any thoughts available to establish this connection between Escher and Deleuze, so we will use Geometry, Logic, Art and Philosophy, in search of concepts that can help us in this venture. Finally, through this present study we will show Escher as an artist between the geometry and the abysmal forces of abstract art. He sought in his work what he called "espanto" which, in our view, is the same deleuzian discovery of thought without an image. This paradoxical tension that dissipates offering to the spirit an affection that is unrepresentable, a-significant, but at the same time carries all the possible meanings. This element gives us the birth of impossible objects in the fissure existing in compossibility between worlds incompossible. So we try to show how Escher was an artist able to present these elements in their artistic productions.