Produção de sentidos na linguagem icônica: mídia e estratégias de enunciação
Ano de defesa: | 2010 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
BR Comunicação UFSM Programa de Pós-Graduação em Comunicação |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/6302 |
Resumo: | Photography is a language. Insofar as language, it produces meanings and senses, as discourse about a social phenomenon. The communicational process, in which we are inserted, incorporates the images in your own existence. So that, the photography will compose strategies of organization and production of meanings and senses. The images are not loose , nor are disproved of intentionality and regulations, but are composites of others linguistics forms to construction of meaning to way of live cultural and social. The photograph, enunciation iconovisual integrates communications strategies that are established in the media. The reading's imagery can be through the theories that deal of the iconicity is understand here as plastic signification from the aspect of morphological elements, that is, points, lines, planes, shapes, textures and colors . Besides the theoretical approach, this dissertation is a methodological approach to morphological analysis of a photographic corpus produced by me as a freelance reporter (to understand the strategies of production), and offered to editors of newspapers Folha de São Paulo, Zero Hora and Diário de Santa Maria pointed to the selected images and the selection criteria for publication (to found and know the criteria and values of the editorial selection of photo). |