Anônimas: encontros com artistas mulheres como disparador da poética

• Ano de defesa: 2018
• Autor(a) principal: Grill, Nathalia Muswieck
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Pelotas; Centro de Artes; Programa de Pós-Graduação em Artes Visuais; UFPel; Brasil
• Palavras-chave em Português: Feminismo; História da arte; Processo artístico; Tática; Disparador; Feminism; Art history; Artistic process; Tactic; Trigger; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://guaiaca.ufpel.edu.br/handle/prefix/4428

: This paper presents the researches related to my research as a master's student in the Postgraduate Program in Visual Arts of the Arts Center of the Federal University of Pelotas, in the research line of Creation and Poetic Processes of Cotidiano, under the guidance of Profa. Dr. Nádia Senna. Through appropriations and resignifications, the research intends to question social territories, claiming the recognition and protagonism of women through a revision of history and the art system. Poetics is built from the encounter with women artists who to me are strong references, showing interweaving between life and artistic processes. I tailor these stories to mine, revealing a poetics based on cartography, which shows the core of the work documents, their results, works and reflections. Personal become political, and I look at ancestral practices, modes, and fashions articulated to the feminine. Giving, therefore, projection to the events that show power of exchange, autonomy and resistance, using as a photographic device, graphic pieces, performance and other supports. Identity transmutes and reaches the collective with the discovery of sorority. The body is home, transcending the given spaces.