Detalhes bibliográficos
| Ano de defesa: |
2017 |
| Autor(a) principal: |
Saraiva, Érica Cristiane
 |
| Orientador(a): |
Silva, Thiago Fernando Sant’Anna e
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| Banca de defesa: |
Silva, Thiago Fernando Sant’Anna e,
Abreu, Carla Luzia de,
Santos , Welson Barbosa |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/7529
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Resumo: |
This research proposes to analyze cuts of the work of the multidisciplinary artist Luiza Prado (1988 - ). From the analysis of the various visuals used by the artist, which include photoperformance, videoperformance and body art, we seek to understand its creative process and the construction of her poetics. Such poetics emerges from her confrontation with rape, with indigenous heritage, with profanation and with the sacred, so we take into account her construction as an ex-centric subject, the use of the body in her work and the strategies mobilized by the artist in the appropriation of representations, besides the relation with the psychodrama. The first chapter discusses her constitution as an ex-centric subject, the influence of psychodrama, and forms of appropriation as strategy. Secondly, we discuss the use of video as language and political strategy, a media that allows the problematization of the relation between performer and spectator in her works. Finally, we approach Prado's body art and photoperformance as postcolonial and anti-capitalist critique. We take as theoretical references the Critique of Art and Image, Philosophy and Feminist Theory, in dialogue with authors who treat the body as a support of art. |
