Socialização do espaço urbano: como um festival de artes interferiu na relação indivíduo/cotidiano na cidade de Areia, Brejo Paraibano, na década de 70.

• Ano de defesa: 2009
• Autor(a) principal: Magalhães, Augusto
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraí­ba; BR; Sociologia; Programa de Pós-Graduação em Sociologia; UFPB
• Palavras-chave em Português: Festival; Arte; Cotidiano; Art; Daily life; CIENCIAS HUMANAS::SOCIOLOGIA
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/7324

It is research in which we analyze the interaction and change of daily life in the city of Sand at the completion of the Festival of Arts in council in the 70s. To make this analysis based on social relations in the small town, with its codes and symbols, and uses the theoretical and social Norbert Elias and Michel de Certeau to understand the webs in the chain of events, which includes a Festival of Arts, though a short period of time, elements hitherto alien to the residents living in Sand. We refer also to the "Age of Festivals" and the troubled military regime in Brazil to understand the historical context in which the Festival happen and fight for the youth of the time free speech. We analyze reports of artists and residents of the city, together with based on social theories, to identify the interference of the individual in relation Festivals / Areia. We are of daily life in the city during our research that the council has already considered, in the nineteenth century, important cultural itinerary traders who came to the States of Pernambuco and Rio Grande do Norte and the festivals held in the 1970s to nurture cultural openness and some improvement of knowledge to others, involving the local population, been losing strength in the 1980s revival and with other characteristics in mid 90s, giving rise to the festivals of brega music that characterizes the city today.