Bem-vindas de volta : a autodefinição no cinema de Tila Chitunda, Ana Pi, Safira Moreira e Yasmin Thayná

• Ano de defesa: 2021
• Autor(a) principal: Nicole Faria Batista
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; FAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIAL; Programa de Pós-Graduação em Comunicação Social; UFMG
• Palavras-chave em Português: Autodefinição; Cinema negro; Mulheres negras; Memória
• Link de acesso: http://hdl.handle.net/1843/45700

Based on the presentation of the artistic trajectory of Tila Chitunda, Ana Pi, Safira Moreira and Yasmin Thayná, four brazilian black women filmmakers, as well as the context of the field in which his cinema is inserted, this thesis seeks to demonstrate how their films invoke a cinematographic self-definition, analyzing them alongside the concept as it was written by Patricia Hill Collins (2019). The comparative analysis of the short movies Nome de Batismo - Alice (2017), by Tila Chitunda; NoirBlue (2018), by Ana Pi ; Travessia (2020) by Safira Moreira and Fartura (2019), by Yasmin Thayná shows how - each in its own way - they elaborate personal and familiar stories, reconnecting them to the collective history of black people.