Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Fonseca, Ronaldo da Paixão
 |
| Orientador(a): |
Mello, Marcia Metran de
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| Banca de defesa: |
Mello, Márcia Metran de,
Mahler, Christine Ramos,
Morais, Fabíola Arantes |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Projeto e Cidade (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/9817
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Resumo: |
This research consists of an analysis of the architect Antônio Lúcio Ferrari Pinheiro’s (1939-) work and trajectory. It is an observation on the historiography of modern Brazilian architecture, through the context investigation of this architect’s production, reconstructing his professional path from graduating (1959-1963) to the establishment in the city of Goiânia (1968), region where most of his projects and works are registered. The research scope is the observation of the whole of this architecture dating from the years 1964 to 1989. The House of the Architect (1967-1976) is the inflection point of the analyzes undertaken, since it is the synthesis of the discourse by the tectonic character, the approximation with Brutalist Architecture from the São Paulo School (ZEIN, 2005) and the prototypical question of the formal structure. It refers to an exploratory research, of the documentary type using primary and secondary sources, whose building is the main document, the starting point to formulate the propositions and the necessary cutouts for understanding the object. Thus, a gap is filled in the history of Brazilian architecture; a new character is inserted with a significant production that deserves recognition and appreciation as a cultural product of brazilian modern. |
