Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)

• Ano de defesa: 2017
• Autor(a) principal: Souza, Marcelo Miguel de
• Orientador(a): Gonçalves, Ana Teresa Marques
• Banca de defesa: Gonçalves, Ana Teresa Marques, Cerqueira, Fábio Vergara, Arantes Júnior, Edson, Omena, Luciane Munhoz de, Mota, Thiago Eustáquio Araújo
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em História (FH)
• Departamento: Faculdade de História - FH (RG)
• País: Brasil
• Palavras-chave em Português: Antiguidade grega; Epopeia; Homero; Música; Performance
• Palavras-chave em Inglês: Greek antiquity; Epic; Homer; Music; Performance
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/7279

We propose in this thesis to revisit the works of Homer (8th century BC), taking into account aspects of his poetic composition that refer to the elements of multitextuality and performance, as well as the temporalities in which they were composed and conceived. We start from points of view that dialogue with archeology, linguistics and musicology and relate these areas and their knowledge to the techniques of composition and improvisation of aedo. We have as objective to discuss the relations between the techniques of composition in performance and the text that we have contemporarily, suggesting a multitextual approach. We point out traces of its construction, its form, its style and we try to understand better the interactions implied in the poetic-musical constitution of the poems.