Detalhes bibliográficos
Ano de defesa: |
2012 |
Autor(a) principal: |
SOUZA, Marcelo Miguel de
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Orientador(a): |
GONÇALVES, Ana Teresa Marques
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Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Mestrado em História
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Departamento: |
Ciências Humanas
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País: |
BR
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tde/2337
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Resumo: |
We propose to revisit the works of Homer in view of his poetic composition features that refer to elements of performance, as well as oral society in which they were created. We start from a point of view which dialogues with musicology and connects the techniques of composition and improvisation of the bard. We aim to discuss the relationship of these techniques of composition in performance with the text that we have nowadays. Pointing traces of its construction, of its form and its style, we try to understand these interactions in poetic-musical formation of the poems. |