Objeto direto anaf?rico no portugu?s angolano: descri??o e an?lise sociolingu?stica

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Santana, Jan Carlos Dias de lattes
Orientador(a): Araujo, Silvana Silva de Farias lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual de Feira de Santana
Programa de Pós-Graduação: Programa de P?s-Gradua??o em Estudos Lingu?sticos
Departamento: DEPARTAMENTO DE LETRAS E ARTES
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Palavras-chave em Espanhol:
Área do conhecimento CNPq:
Link de acesso: http://tede2.uefs.br:8080/handle/tede/1698
Resumo: This research is based on the assumptions of Variationist Sociolinguistics and had as its main objective to describe the configuration of the anaphoric direct object in the Angolan Portuguese. Speech samples are analyzed, totaling 903 occurrences extracted from 36 interviews divided by the speaker's gender, education and age group. In addition, considering the multilingual context and the large migratory flow in Angolan territory, the interviews are still stratified with regard to the origin of the speaker (whether he was born in the capital of Luanda or if he comes from other provinces of the country) and the status of the L1/L2 Portuguese. The data are quantified using the statistical program GoldVarb X. Therefore, the results show that the third-person accusative clitic, considered the standard variant in the Portuguese, presented a frequency of 3%. There was a high frequency of the null object (51.7%) and the anaphoric SN (41.5%), with a frequency of only 1.2% for the full pronoun. Another variant in the Angolan vernacular Portuguese is also attested: the anaphoric accusative (2.5%), a variant not found in previous studies of the Brazilian Portuguese and the European Portuguese. Finally, it is identified which linguistic and social factors condition the use of the null object in relation to the other anaphoric direct object strategies.