A COMPOSIÇÃO NARRATIVA D’O AMOR DOS HOMENS AVULSOS, DE VICTOR HERINGER: ROMANCE, HOMOTEXTUALIDADE E MEMÓRIA

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Pedroso Junior, Neiverlan lattes
Orientador(a): Valdati, Nilcéia lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual do Centro-Oeste
Programa de Pós-Graduação: Programa de Pós-Graduação em Letras (Mestrado)
Departamento: Unicentro::Departamento de Letras de Irati
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://tede.unicentro.br:8080/jspui/handle/jspui/1656
Resumo: The main objective of this dissertation is to verify the movement of memory and the exercise of homotextuality as essential elements for the construction of the narrative The love of single men, by Victor Heringer (2016). As specific objectives, it is necessary to observe the movement of writing and images in the fragmentary composition of the novel, to identify how memory works in the novel and to observe the traits that compose the homotextuality in the book. The methodology is bibliographic, whose referential is mainly based on the work of Denilson Lopes (2002), Giorgio Agamben (2012), Jean-Marie Gagnebin (2009), Silviano Santiago (2004), Natália Brizuela (2014) and Marthe Robert ( 2007), Jacques Rancière (2017), Frantz Fanon (2008). The results achieved, presented in the three central chapters of the dissertation, move towards realizing that the book, object of analysis, presents photographs and other images that mark the memory in the novel, in addition to the writing constructing a whole plot wrapped in a homotextual narrative. Photographs, as well as reminiscences present in writing, are a bridge that joins the past and the present, therefore, they are at the same time a connection between two different moments and a rupture of these moments. It is in this break that there is the whole essence of memory. Heringer presents a narrative in which love is the same for everyone, regardless of sex, race, color or belief. There is an exchange of physical contacts and sexual play, elements that translate into homotextuality. In this sense, the research presented is also important due to the critical analysis of the homoaffective construction in the contemporary Brazilian novel, with emphasis on the body, sexuality and memories.