A construção dialógica de sentidos em discursos poéticos nos heterônimos de Fernando Pessoa

• Ano de defesa: 2019
• Autor(a) principal: Poggetti, Caroline Rodrigues de Lima
• Orientador(a): Delanoy, Cláudio Primo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Escola de Humanidades
• País: Brasil
• Palavras-chave em Português: Discurso Poético; Construção de Sentidos; Dialogismo; Círculo de Bakhtin; Fernando Pessoa; Heterônimos
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://tede2.pucrs.br/tede2/handle/tede/9004

Even today, the study of heteronomy constructed by Fernando Pessoa arouses curiosity. Event intriguing in Western literature, the heteronyms of the portuguese poet distinguish themselves greatly from each other, both in terms of the formal characteristics of the poetic text produced and their worldview. While the poetry of Alberto Caeiro some touches of paganism with its bucolic naturalness, the classic verses of Ricardo Reis go back to the Greco-Latin Antiquity in the search for the restoration of the monarchy and, on the other hand, Alvaro de Campos, although modernist by nature, its verses the pessimism and agony of the new and modern times. Given that all heteronyms are contemporary beings, spectators of a social-historical period replete with significant changes and technological innovations, and at the same time as different from each other, as can be seen in their verses, the objective of this dissertation is to analyze the dialogical construction of meanings that permeate the poetic discourses of the heterodox poets, seeking to identify in each discourse how the self constructs fundamental aspects of the dialogical process, that is, how it is constituted in terms of the self, as the other and how it is branded in its place of speech in society. The specific objectives for such research are: (a) To analyze poems from a gender perspective of discourse in its components: theme, compositional form and style; (b) Analyze emerging meanings of the presence of social voices in poems, expressive intonation, valuation, from the lexicon and syntactic construction; (c) Analyze how each heteronym is constituted in terms of self, how the other conceives and how it is marked in its place of speech in society. The theoretical support focuses on the ideas postulated by Mikhail Bakhtin and his Circle, which considers all dialogic discourse by nature. In order to carry out the analysis, the most well-known poems of each heteronym were selected and followed the methodological orientations present in Marxism and philosophy of language ([1929] 2006, 45), that is, it is necessary to consider that all discourse structures from the link with its socio-historical context, production conditions and enunciative project of the interlocutor, being also filled by social voices, whose knowledge is fundamental for establishing the understanding of the said. From the analyzes carried out by the dialogical bias, it is possible to perceive that heteronyms have a common interlocutor, [perhaps the Portuguese Person itself] who seeks to understand that historical moment and accepts the lessons of each heteronym in a resigned way. It is also possible to verify that each heteronym brings in his voices specific social voices of a certain Portuguese social class, in the middle of a new century full of novelties and changes and important to emphasize the need to consider dialogism as a determining element for the production of meaning, along with the tension perceived by the presence of social voices throughout the discourse.