Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Tavanti, Roberth Miniguine
 |
| Orientador(a): |
Spink, Mary Jane Paris |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social
|
| Departamento: |
Faculdade de Ciências Humanas e da Saúde
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/20869
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Resumo: |
This thesis presents the Sarau a Voz do Povo as a cultural-political manifestation that is located temporally and geographically in the southern periphery of the city of São Paulo, Brazil. We argue that the soirees that take place in this region keep some of the traditional characteristics of this modality of cultural manifestation but incorporate a political dimension that is translated in a variety of collective actions that are politically and territorially committed to historical agendas and disputes of social (popular) movements that have acted in this region. The theoretical and methodological approach was based on social constructionism as well as inputs from Actor-Network Theory and is rooted in the discussions carried out in the Research Group Práticas Discursivas no Cotidiano: direitos, riscos e saúde (NUPRAD) at the Pontificial Catholic University of São Paulo. A diversity of sources of information were used: (1) literature review concerning the history of popular manifestations (cultural, social and political) in the districts of M’Boi Mirim and Campo Limpo, with emphasis on the (re)appearance and dissemination of soirées as cultural-political manifestations among culture collectives as from the end of the 1990’s; (2) entries in the field diary concerning conversations with members of these cultural collectives and of social movements active on issues about human, social and cultural rights in these territories; (3) organization and systematization of information published in the blog of the Sarau Voz do Povo between 2009 and 2014. The results include the description and analysis of a diversity of practices cultural, political and community based, that were produced and mobilized by the members of the cultural collectives and social movements that were part of the soirees in this period. The analysis focused on the way collective action is done though the various cultural, political and community based practices engendered by the soirées in the southern region periphery of the city of São Paulo. By articulation with the notion of politics, memory and territoriality it was possible to expand our understanding about the connections between past struggles carried out by social movements since 1960 and 1970 and present struggles associated with the hip-hop movement since 1990 and, more recently, by the cultural collectives associated with the soirées of the territories in which they act after 2000 |
