Hip-hop: movimento político-cultural de resistência da juventude da periferia e sua inserção nos saraus

• Ano de defesa: 2015
• Autor(a) principal: Borri, Giovanna Teixeira
• Orientador(a): Barroco, Maria Lúcia Silva
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Serviço Social
• Departamento: Serviço Social
• País: BR
• Palavras-chave em Português: Hip-hop; Sarau; Juventude; Cultura; Arte
• Palavras-chave em Inglês: Youth; Culture; Art
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL
• Link de acesso: https://tede2.pucsp.br/handle/handle/17748

Guided by a Marxist influence, we have developed in this paper an overview and analysis of the meaning of hip-hop as a political and cultural movement, which have found inside the cultural saraus from the suburbs a new way of resistance. The hip-hop was born in the end of military dictatorship and nowadays it tries to explain the neoliberal sociohistorical environment, representing the resistance of the youth from the suburbs to incentive of consumer spending, government resignation, retraction of rights, life militarization, prejudice, violence, etc. However this does not happen homogeneously, in the 2000s the intensification of the neoliberal ideology influenced the ideal of part of this movement, which surrendered to the positive side of the capitalism, ending with its political beliefs. Because of that and the abandonment of the suburbs by the government, including cultural aspects, youth and residents from the region built a new space of resistance: the cultural saraus. Influenced by the hip-hop, the saraus were born in the 2000s as a new way of resistance from the suburbs and they have becoming bigger and getting more people. In this way, the main objective of this research is understanding the influence that the hip-hop had during the construction of this new cultural space, and analyze its presence and action inside these cultural meetings. In order to do so, we use semi-structured interviews methodology with participants of the hip-hop movement inside the saraus culturais in the city of São Paulo. From this perspective, this research is of great relevance to the profession, since it discuss an unusual theme at Social Assistance category, and it brings to the academy the voice of young people who denounce trough the hip-hop protests of social questions inside the saraus