Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
Malm, Nina Rodrigues
 |
| Orientador(a): |
Pelbart, Peter Pál
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
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| Departamento: |
Faculdade de Ciências Humanas e da Saúde
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/39505
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Resumo: |
The writing of the present work intends to slide over fragments of scenes: analysis scenes, theater scenes, rehearsal scenes, work scenes and life scenes. The scenes seen - sometimes from the outside, sometimes from the inside - by the author intertwine with each other in search of what could flow from scene to life or from life to scene. Between these encounters, the writing leans towards the body - the one who is and re-enacts life and the stage - directing our gaze to a gap. The gap presents itself as a space that lies between the body and the word, between silence and the voice, and transmits the unspeakable that can be heard, making new languages debut on the scene. Once inhabited by another language, the gap in the body brings from the scene traces of a power that takes itself into life, facing it and expanding its possibilities |
