Contracultura musical brasileira : movimentos e particularidades

• Ano de defesa: 2016
• Autor(a) principal: Ribas, Rafael Malvar
• Orientador(a): Hooper, Silvana Seabra
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: contracultura; anos 60; anos 70; rock brasileiro; tropicália
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::EDUCACAO
• Link de acesso: http://dspace.mackenzie.br/handle/10899/24960

The aim of this work is to remember the Brazilian countercultural movements that stand during the 1960s and 1970s. It is clear that in a country of continental dimensions such as Brazil there are several local cultural demonstrations that differ and intersect on one another. The main association made by the academy and the media about our counterculture is with the Tropicália movement, which brought external features adding to the local, in an hybrid art that led to its canonization. But there were other movements, although not exalted at the same level, have significant historical and cultural value. As an example there is Udigrudi in Recife, Raul Seixas from Bahia, Grã Órdem Kavernista centralized in Rio de Janeiro, the Rock and Roll and the Progressive Rock / Psychedelic especially in large urban centers, the so-called singers “Malditos” (damned), among others