Detalhes bibliográficos
Ano de defesa: |
2016 |
Autor(a) principal: |
Santos, Rafael Fonseca
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Orientador(a): |
Bridi, Marlise Vaz
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Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Tese
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Presbiteriana Mackenzie
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Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://dspace.mackenzie.br/handle/10899/25185
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Resumo: |
In the 1970s, a period when Brazil was under a military dictatorship that would last until 1985, many of the freedoms of expression and of information flow were threatened. The AI-5, Institutional Act No. 5, 1968, puts into question the good journalistic practice, which in turn, is forced to reinvent itself to get fulfill its duties. Thus it were not few journalists who ventured in the literature for new voices and new ways of resistance, including politics. This thesis investigates the relations, implications and possible meaning effects resulting from the rapprochement between journalism and literature by examining Fernando Gabeira's work O que é isso, companheiro?, and his subsequent transposition to the cinema, in 1997, directed by Bruno Barreto. The scope of analysis also pervades the elements of literary journalism, especially those of the New Journalism: description, narrative scene to scene, use of dialogues and points of view of the third person. In view of these elements, this thesis also investigates how the written text was moved for the audiovisual product. |