Mire veja! a cenografia de Paulo Mendes da Rocha em sete atos

• Ano de defesa: 2018
• Autor(a) principal: Ferreira, Fernanda Silva
• Orientador(a): Villac, Maria Isabel
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: Paulo Mendes da Rocha; cenografia; arquitetura cênica
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::PROJETO DE ARQUITETUTA E URBANISMO
• Link de acesso: http://dspace.mackenzie.br/handle/10899/26175

The aim of this research is to highlight the work of the architect Paulo Mendes da Rocha in the field of scenography for the theater and opera. Since the 1990’s, the architect’s production has been consistent although little known, especially that in partnership with director Bia Lessa, designing mobile stage settings having great symbolic impact. We will cover the seven scenarios designed by the architect seeking to under­stand the procedures and concepts contained in his creation process. The studies will be elaborated in an individual way and, from the understand­ing of the parties, we will try to understand the whole, debugging the way in which the architect thought about the space in architecture and in another materiality.