Samba em fascículos: vertentes do gênero na coleção História da Música Popular Brasileira em tempos de consolidação da indústria cultural brasileira

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Milani, Vanessa Pironato [UNESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual Paulista (Unesp)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/11449/132098
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/11-11-2015/000853922.pdf
Resumo: This present dissertation has as a central objective to get to know and understand, in the light of the Brazilian cultural industry consolidation process, the ample space dedicated to samba in two versions - the first (1970/72) and the third (1982/84) - of the collection História da Música Popular Brasileira (History of Brazilian Popular Music), produced and released by Abril Cultural, as well as the records and treatment given to the multiple strands and composers the musical genre included throughout its history. In this sense, it is worth mentioning that this master research does not intend to do a musicological analysis of the different aspects of samba, but rather a historical analysis of representations that the Collection presented in the diffusion of this musical genre history and sonorities in relation to changes in the Brazilian cultural industry, notably with regard to the intersection between the phonographic and editorial industries, the inflections of the debate on the national /popular and the existing relations between samba and the phonographic industry at that moment. Thus, the central purpose of the work is to bring to light and analyze the role of Abril Cultural in the music collection market, establishing relations with the Collection launch, as well as with the period of time it was in the market; highlight the contribution of different media professionals involved in the production of this cultural asset; punctuate and highlight the consolidation of the Brazilian cultural industry and its relations with the fascicles contents and approach samba historically in the Collection, taking into consideration the phonographic and editorial aspects in the fascicles of this Abril Cultural release