Ciência e arte: vida-(e)-morte encenada(s)

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Janeiro, Artur Rodrigues [UNESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual Paulista (Unesp)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/11449/134028
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/12-01-2016/000857006.pdf
Resumo: In the present research work the triggering object of explorations and reflections is the plastination, a physical-chemical preservation technique for biological tissues created by the contemporary anatomist Gunther von Hagens, a cadaver manipulator. His products - denominated specimens - can still be considered bodies? living? dead? are they representations of the real anatomical structures? are they in fact preserved? Of a post critic character, this particularly structured research work achieves its intended goals - the following text is in itself a resizing, a testimony of an unprecedented, thought-provoking pathreading, proper to/from the author, who goes beyond his own professional education (not only academic) and expressively walks through Art, Science (Biology/Anatomy) and Education (Human Development; of the subject), promoting cracks that emerge mainly from the shredding of the representation of the world; cracks that also, under small displacements, (re)fit with new contacts, ensuring the visualization of the art-anatomy concept. Cracks that misaligns the rigid plot of the modern scientific thought; that sustains my freedom in this study-act