A coisa e o olho: uma abordagem da direção de atores no teatro de Samuel Beckett

• Ano de defesa: 2013
• Autor(a) principal: Santos, Thiago Antunes de Oliveira [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Beckett, Samuel 1906-1989; Velde, Bram van, 1895-1981; Teatro; Atores; Diretores e produtores de teatro; Theater
• Link de acesso: http://hdl.handle.net/11449/111033

The restriction of movement is a major characteristic in Beckett’s indications to the actors. Confined in chairs, urns, or buried, not being able to sit, to walk or to move, Beckett’s characters require from the actor a constant contact with discomfort, thus, with his own body. We’ll see by wich means his terminology conceived to analyse the paintings of Abraham and Gerardus van Velde, that states a major duality between a “eye/executioner” and a “thing/victim” revealing the impossibility of pictoric representation, could be considered a valid theoretic apparatus to understand his theater. Thereunto, we will apply this model to analyse his dramaturgy and experience as a theater director, focusing in singularities of the actor’s work