Colunas de texto: da questão textual à escrita escultórica

• Ano de defesa: 2020
• Autor(a) principal: Nascimento, Alessandro do
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Estudos Literários
• Palavras-chave em Português: Artes Plásticas e Literatura; Intertextualidade; Escrita escultórica; Arts and Literature; Intertextuality; Sculptural writing; Literatura; Artes Plásticas; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
• Link de acesso: https://repositorio.ufu.br/handle/123456789/29894; http://doi.org/10.14393/ufu.te.2020.614

Reflecting about the plastic collage as an operator of readings and as a space for intertextuality, based on an authorial proposal in visual arts, constitutes the grownd on which we build the practical and theoretical questions posed in this academic study. Based on the materiality and the conceptual structure of an artistic object concretely exposed and experienced by different viewers in the year 2004, in this study we aim at the plastic construction and the theoretical formalization of a new artistic object whose creative center point has, in the plastic-conceptual proposal of a “sculptural writing”, procedural and semantic experiences. In this sense, articulating a referential framework composed of texts from different theoretical places, such as BARTHES (1990, 2003a, 2003b, 2004, 2006, 2014); KRISTEVA (1974); EAGLETON (2001); CICERO (2005); ARBEX (2003); BAKHTIN (1993, 2007); GARRAMUÑO (2014); HISSA (2002, 2013, 2017); DELEUZE AND GUATTARI (1992, 1995, 1996); ECO (1991, 1994); LESSING (1998); literary texts by AIRA (2013); RUFFATO (2013); and CALVINO (1990), we seek to expand questions about the concepts of collage art and intertextuality, by articulating and problematizing the following issues: writing, reading, literary, poetic power, performance writing and reading performances. In this way, we built a proposal that permeates the idea of the concrete construction process of the artistic object; the theoretical basis for reflective developments; the sculptural concept proposed in its different ramifications in the act of direct experience and the free exercise of the thought of each individual who proposes to enjoy the artistic proposition developed here.