Composição e Loucura: mil vias a lucidez

• Ano de defesa: 2021
• Autor(a) principal: Santos, Vitória Mércia Gonçalves dos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Filosofia
• Palavras-chave em Português: loucura; madness; música; music; composição; composition; esquizoanálise; schizoanalysis; lucidez; lucidity; CNPQ::CIENCIAS HUMANAS; Filosofia; Esquizofrenia; Música - Aspectos psicológicos
• Link de acesso: https://repositorio.ufu.br/handle/123456789/33016; https://doi.org/10.14393/ufu.di.2021.431

The starting point of this schizoanalitc journey are the questions about the production of subjectivity of the mad and the multiplicities of madness through art and composition. This proposal takes place in line with the cartographic-musical intervention device “Louco, ainda bem!” created through mini-biographies of Psychosocial Treatment Service (CAPS) patientusers José Evangelista da Rocha, in the city of Catalão (GO), during a psychology internship organized by the Federal University of Goiás. It investigates how the madness became a scientific object of psychiatry and psychology through an incursion into the work “History of Madness”, written by Michel Foucault, raising philosophical questions about illness and normality. In this journey, I also found the work “The normal and the pathological”, by Georges Canguilhem, with whom I make intercessions. Nevertheless, I meet Gilles Deleuze and Friedrich Nietzsche on their fight against judgments in cruelty. The musical composition, as an agent of becomings, gains an analysis of its Apollonian and Dionysian flows and places this tour in a state of art, causing strangeness in the meeting with Antonin Artaud and his work “To End the Judgment of God”, causing developments in the relationship with science, art and philosophy with the proposal of a chaos-becoming (or becoming-chaos) for the creation and composition of oneself through self-sacrifice raising developments in a triple crossroads of thought between science, art and philosophy. Here, then, is a philosophical experiment in becoming-chaos, which, through self-sacrifice, opens up a composition of life as art. There is, in this dissertation, a cartography of a clinical proposal that arises between the comings and goings of the Outside, which tensions the breaking of identities and paradigms, starting from the work “Caosmosis” by Félix Guattari, and creating clues between psychology and philosophy, in incursion and intersection; creating ways to lucidity.