O ator no teatro performativo: reflexões e procedimentos de treinamento

• Ano de defesa: 2017
• Autor(a) principal: Nunes, Ana Flávia Felice
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes
• Palavras-chave em Português: Teatro performativo; performative theater; corpo; body; presença; presence; treinamento; training; percepção; percpition; Arte; Art; Teatro interpretação tecnica; Theater Technical Interpretation; Atores - Estudo e ensino; Actors - Study and teaching; Corpo humano na arte; Human body in art; CNPQ::LINGUISTICA, LETRAS E ARTES
• Link de acesso: https://repositorio.ufu.br/handle/123456789/21425; http://dx.doi.org/10.14393/ufu.di.2018.1405

This research aims to investigate the “Perfornative Theater” actor, concept proposed by Josette Féral. From there, the reflection on the dramaturgical tendencies of this theater, from a specific understanding of the body, as a body border. For yhis I rely mainly on the concept of “subjective-body”, in the perspective of Renato Ferracini, and scenic-body, ando f the scenic presence as the ability to inhabit the “places in between”, proposed by Eleonora Fabião. From these reflection I propose possible training of perception and listening, providing na attentive spongy body, directly related to the environment, based on Cassiano Sydow and his Studies on “self-care” and “self-restlessness”.