Entre sarjetas: lanceiros negros na Guerra de Farrapos (1836-1844)

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Ribeiro, Vitor Gabriel Coelho
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Uberlândia
Brasil
Programa de Pós-graduação em Ensino de História (ProfHistória)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufu.br/handle/123456789/43497
http://doi.org/10.14393/ufu.di.2024.632
Resumo: The present work aims to present the participation of enslaved people in the War of Farrapos (1835-1844), in a historical period from 1836 to 1844, when the formation of infantry groups composed of black people, called Black Lancers, occurred and who acted in favor of republican reformists against the forces of the Brazilian Empire. The objective of this work is to contribute to the construction of anti-racist education, against the erasure of the struggle for freedom of the enslaved in historical events highlighted in textbooks, in the media and in national historical memory. To analyze ethnic-racial issues and the treatment given to the Farrapos War in History Teaching, documents such as the National Common Curricular Base and the curricular parameters of the states of São Paulo and Rio Grande do Sul were used. After analyzing regulation, of federal education and the aforementioned states, imagery research was carried out, which made it possible to identify the painting Lancero de la epoch de Rivera, by Juan Manuel Blanes, as an icon for the representation of black lancers from Rio Grande do Sul, enshrined in blogs and social networks of members of black movements in Brazil. On the other hand, it was possible to confirm the erasure of black lancers in the traditional history of Rio Grande do Sul, including cultural productions, which could be verified in the comic book Guerra de Farrapos (1982). The result of the research is manifested in the form of a graphic narrative, specifically as a comic book, which presents the black lancers, their reasons for participating in the war and the characteristics that involve these individuals in the history of Rio Grande do Sul.