Pistas para perfurar rasgos: colonialidades, gêneros, sexualidades, processos artísticos e...

• Ano de defesa: 2021
• Autor(a) principal: Salmin, Aline Pinheiro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes Cênicas
• Palavras-chave em Português: Corpa; Performance arte; Gêneros prostéticos; Sexualidades; Colonialidades; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA; Artes cênicas; Performance (Arte); Corpo como suporte da arte; Linguagem corporal na arte
• Link de acesso: https://repositorio.ufu.br/handle/123456789/35513; https://doi.org/10.14393/ufu.di.2021.5600

This work is generated from the interrelationship between experiences lived during the research process with regard to artistic, political, aesthetic and existential crossings that pervade my body, together with other artists in the contemporary Brazilian scene. The network is woven by a cut in the studies of genders and sexualities, in the search for clues capable of perforating the normative structures given to what I call here bodies. Traversed by the concepts of prosthetic genres and (de)colonialities from a micropolitical perspective of existence, I move through possible ways of building processes of rupture in the normativities of bodies, based on their existential, political, artistic and subjective materialities, considering their multiplicities. Faced with the constant captures and escapes from the hegemonic structures that constantly traverse us, I bet on the body as a possible materiality in consolidating other modes of existence in the world in which we live.