Sentidos do discurso religioso em trilogia do invisível, de Eric- Emmanuel Schmitt

• Ano de defesa: 2007
• Autor(a) principal: Crozara, Marília Simari
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Estudos Linguísticos; Linguística Letras e Artes; UFU
• Palavras-chave em Português: Linguística aplicada; Análise do discurso; Interdiscurso; Polifonia; Diáspora; Sentido; Discourse analysis; Interdiscourse; Polyphony; Diaspore; Eric-Emmanuel Schmitt; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/15317

This paper aims at reflecting on religious senses as a manifestation of interdiscursivity in Eric-Emmanuel Schmitt s Invisible Trilogy. Such interdiscursivity emerges from an aesthetics composition conceived in a linguistics exteriority, considering ideologies in movement through History. Thus, senses are constructed by heterogeneous voices realized as Subject instances. A theoretical framework on French Discourse Analysis was composed, taking as referential bases Mikhail Bakhtin s studies on dialogism and Stuart Hall s cultural studies. It has been taken as analysis variables, concepts of discursive formation, interdiscourse, polyphony and diaspore. In the analysis it has been taken as corpus the tales: Miralepa (2003), Mr. Ibrahim and Alcoran flowers (2003) and Oscar and Lady Rosa (2003), which compound Eric-Emmanuel Schmitt s Invisible Trilogy. Such analysis has been conceived through interdiscursive relations compiled from characters speeches inscribed in enunciative manifestations of religious discourse. Eric-Emmanuel Schmitt s Invisible Trilogy, more than a literary piece, establishes a dialogue among sense effects from a diversity of discursive places, showing a polyphonic singularity expressed by a set of diasporic senses.