A música na obra de Erico Verissimo: polifonia, humanismo e crítica social

• Ano de defesa: 2009
• Autor(a) principal: Werlang, Gérson Luís
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; BR; Letras; UFSM; Programa de Pós-Graduação em Letras
• Palavras-chave em Português: Erico Verissimo; Literatura; Música; História; Polifonia musical; Crítica social; Humanismo; Music; Literature; History; Social criticism; Musical polyphony; Counterpoint; Humanism; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://repositorio.ufsm.br/handle/1/3959

This study intends to analyze the many different conections between music and literature that exist in the works of the brazilian writer Erico Verissimo. Music acquired a diversity of uses in his work, as a vehicle for social criticism, as long as the psychological portrait of characters. The desire to expand the conections between music and literature led the writer to search for interfaces between the areas, and the use of the counterpoint technique, in a personal approach, has developed new uses for it. Also the faith in better days for humanity led him to use music as a vehicle to humanism in his literary works.