Um lugar de encontros: aspectos estruturais do docudrama em j.o.a.n.a.s – alguém se lembrou de mim

• Ano de defesa: 2020
• Autor(a) principal: Santos, Karla Natário dos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Tecnologias, Comunicação e Educação (Mestrado Profissional)
• Palavras-chave em Português: Documentário; Docudrama; Narrativa híbrida; Documentary; Hybrid Narrative; CNPQ::CIENCIAS HUMANAS::EDUCACAO
• Link de acesso: https://repositorio.ufu.br/handle/123456789/29433; http://doi.org/10.14393/ufu.di.2020.232

This current research brings a cutout of three movies, namely: Nelson Gonçalves, by Eliseu Wald; Immense Brightness: Claudio Kano’s story, by Denis Kamioka; and J.O.A.N.A.S – someone remembered me from diretor Karla Natário, and it seeks to develop mainly two themes: the construction of the hybrid narrative by merging fictional and documentary elements together with two cinema traditions, the documentary and melodrama; and some possibilities of think the hybridity to the communicability with the spectator. Therefore we analyse the docudrama Nelson Gonçalves; Immense Brightness: Claudio Kano’s story to know about their characteristics and filmic compositions as well as the form and the content enable the communicability with the spectator. In the third, J.O.A.N.A.S - someone remembered me, we have made an approximation with the analysed docudramas to recognise if the strategies and the stylistic features of this movie can categorize it as a docudrama. After the research conducted, we can conclude that the hybrid increase the possibilities of the spectator communicability, since it allows the manufacture of a new structure, and our object of research is a docudrama, because it merged in the hybrid narrative, by a combined form, elements whose effects are the objectivity, the subjectivity and the referents in its structure.