Oleanna (1995, David Mamet): nos palcos e nas telas- discussões acerca do poder e da alteridade

• Ano de defesa: 2013
• Autor(a) principal: Oliveira, Leilane Aparecida
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em História; Ciências Humanas; UFU
• Palavras-chave em Português: David Mamet; Teatro; Cinema; História e sociedade; Mamet, David. Oleanna Crítica e interpretação; Cinema e história; Teatro História; Theatre; Film; History and society; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/16459; https://doi.org/10.14393/ufu.di.2013.311

THIS PAPER AIMS to research historical artistic events such as Theatre and Cinema, theater text Oleanna by David Mamet (1992), as well as the film adaptation (1994) and the stage adaptation Brazilian (1995) by Ulysses Cruz. Through the work and its adaptations is made a detailed analysis of each language and the context in which they were reworked. For this it was necessary to think of the role of the author and theater director and film as well as the aesthetic and thematic choices in making an adaptation, among the questions: who wins materiality in this process? Moreover, among the discussions, such work also focuses the thematic study of the work, involving topics such as: the power, the politically correct, the student-teacher ratio in university and the issue of harassment, which allow us to think in contemporary society while a society increasingly fragmented and individualized, in which conflicts are increasingly evident, particularly the lack of otherness. In this context, where the ideals of social transformation? Where are the utopias? These are some more of the issues present in this work.