Imagens femininas em Tarquínia: estudo acerca de arte e gênero

• Ano de defesa: 2019
• Autor(a) principal: Bomentre, Nancy Maria Antonieta Braga [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Etruscan Art; Etruscan Culture; Intercultural Relations; Female Representation In Painting.; Arte Etrusca; Cultura Etrusca; Relações Interculturais; Representação Feminina Na Pintura.
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197937; https://repositorio.unifesp.br/handle/11600/59379

The present dissertation aims an imagery analysis of the female representations painted on the walls of the tombs of the Necropolis of Monterozzi, in the ancient Etruscan city of Tarquinia. These female representations present particular aspects, in which we can see the women envolved in activities considered inappropriate to them in the coevals cultures, which has as its major representatives the Greek and Roman societies. The Etruscans did not have great consideration on the part of their contemporaries, giving criticisms of these about the behavior of the women of those. We aim, therefore, to verify the veracity of the reports produced by Greeks and Romans who had contact with the Etruscans, directly or indirectly. This dissertation deals with aspects of Etruscan artistic production, as well as aspects of its religion, since the paintings was found in a funerary environment, directly related to religious convictions. We also discuss topics regarding the condition of women of the period, both in Etruria and their contemporaries. We also present an appendix to the dissertation, with a translation into Portuguese of the article by Wolfgang Helbig, Dipinti Tarquiniense, published in 1870 by the Annali dell'Istituto di Corrispondenza Archeologica di Roma. The article in Italian is the report of excavation of three tombs in Tarquinia, which the German archaeologist was charged to perform. We aim, in this way, to analyze, through art, the feminine space in Etruscan society, as well as, through the study of society, to understand Etruscan art. In this way, contributing to a better understanding of this culture that participated profoundly in the progress of Roman culture and, consequently, of Western culture.