O corpo feminino como metáfora do tempo em performance arte

• Ano de defesa: 2019
• Autor(a) principal: Santos, Camila Matzenauer dos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; Brasil; Artes; UFSM; Programa de Pós-Graduação em Artes Visuais; Centro de Artes e Letras
• Palavras-chave em Português: Arte contemporânea; Arte e cultura; Performance; Feminino; Tempo; Contemporary art; Art and culture; Female; Time; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.ufsm.br/handle/1/19097

The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences.