Paisagem e diversidade cultural: as identidades culturais das distintas etnias em Santa Maria - RS

• Ano de defesa: 2013
• Autor(a) principal: Voigt, Elizandra
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; BR; Geografia; UFSM; Programa de Pós-Graduação em Geografia
• Palavras-chave em Português: Cultura; Paisagem cultural; Etnias; Organização do espaço; Santa Maria - RS; Culture; Cultural landscape; Ethnicities; Spatial organization; CNPQ::CIENCIAS HUMANAS::GEOGRAFIA
• Link de acesso: http://repositorio.ufsm.br/handle/1/9412

Culture is considered a key concept for Geography, that is, fundamental to explain the relationship that man establishes with landscaping and his influence on spatial materiality. This research seeks to analyze the ethnic diversity through their cultural codes embodied in the city of Santa Maria-RS, identifying the different temporalities and spatialities expressed in the landscape. The specific objectives were to: (a) understand the insertion of various ethnicities in Santa Maria considering their temporalities, (b) identify the city landscape and its cultural codes structuring symbolic forms, (c) analyze the current spatiality that refer to the set of expressions of distinct ethnic groups present in Santa Maria. The relevance of the research can be justified by the importance of studies regarding the cultural theme, demonstrating the possibilities of materialization of cultures embedded in the local space. In this regard, some questioning is relevant, such as, how did the cultures evolve via descendence in a multi-cultural space? Whether their descendants managed to keep their habits, or were there changes or even abandoning of some cultural codes? How did these cultures materialize in forementioned city? Did some ethnic groups redefine their cultural codes? These were questions that mediated the discussions held along the work. Methodologically the research was structured in stages. In the initial stage, there was the operationalization of the basic concepts of investigative theme, as well as the definition of the dialectical method. This choice is justified by the understanding of reality as a dynamic and ongoing process transformation. Once the theoretical-methodological matrices were defined, the second step consisted on surveying data from secondary sources. At the same time, we attempted to rescue photographs that materialize the contribution of immigrants to the spatial organization of Santa Maria. The third phase was related to field work, in order to observe in situ the materiality of cultures in Santa Maria. The fieldwork sought to highlight the cultural aspects present in the landscape, i.e., those which contain the "cultural mark", expressed through codes of ethnicities present. Accordingly, the selection of cultures to be studied had as a criterion their importance for the spatial organization and the historical and economic relevance to the genesis and evolution of Santa Maria. Thus, combining the concepts and the data collected on-site observation, we sought to understand and analyze the integration of different ethnic groups in the local context, considering the cultural perspective, as well as to understand their contribution to the spatial organization, rescuing the temporalities inherent cultural evolution of the city in question.