A condição da mulher negra na literatura brasileira em Úrsula, Casa de Alvenaria e Um defeito de cor

• Ano de defesa: 2020
• Autor(a) principal: Dalcol, Mônica Saldanha
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; Brasil; Letras; UFSM; Programa de Pós-Graduação em Letras; Centro de Artes e Letras
• Palavras-chave em Português: Autoria feminina negra brasileira; Feminismo negro; Ética; Nação; Maria Firmina dos Reis; Carolina Maria de Jesus; Ana Maria Gonçalves; Brazilian black female authorship; Black feminism; Ethics; Nation; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://repositorio.ufsm.br/handle/1/22099

The present thesis dissertation aims to compare three narratives of black Brazilian writers that span three centuries: Úrsula (1859) by Maria Firmina dos Reis, 19th century, Casa de Alvenaria (1961) by Carolina Maria de Jesus, 20th century, and Um defeito de cor (2006) by Ana Maria Gonçalves, 21st century. We did a comparative study of these three works with its foundations on the concept of intersectionality, present in black feminism, whereby we need to take into account black women experiences through the categories of gender, race and class. Therefore, we will focus, mainly, on the issue of Brazilian black female authorship, through a discussion and problematization of silencing attempts, which stigmatize and marginalize the literary projects developed by black writers present in the corpus of this work. We seek to clarify that the literary production of black authors points to an ethical opening, from the fictional plane, capable of rewriting Brazilian literature, as well as the very idea of nation.