Por debaixo dos panos: a construção da imagem da prenda tradicionalista por meio de exposição fotográfica do Departamento de Tradições Gaúchas Noel Guarany

• Ano de defesa: 2013
• Autor(a) principal: Milder, Camilla Rodrigues
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; BR; História; UFSM; Programa de Pós-Graduação em Patrimônio Cultural
• Palavras-chave em Português: Prenda; Movimento Tradicionalista Gaúcho; Construção de imagem; Exposição fotográfica; Exposure hotography; Imagetic construction; Gaucho Traditions Departament; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://repositorio.ufsm.br/handle/1/11010

The following dissertation produced a photographic exposure in order to make the record and also make more visible the activities of the prendas of the Noel Guarany Gaucho Traditions Department, linked to Federal University of Santa Maria. The Department is composed by students, teachers and employees of the University itself that supports the cultural demonstrations, allowing the insertion of the traditionalist community, valorizing the local and regional patrimony. This work tried to understand how is the work of the woman representation as a prenda given, from the eyes of the Traditionalist Move in the DTG Noel Guarany s entity. By observing the attendance of the DTG in nine events done by the state of Rio Grande do Sul, they realized the symbolic game of power, honor, dressing patterns, individual assertion and also collective action existing around a prenda . By searching a way to express a product, the knowing acquired along the contact if the prendas , an organization of the photographic exposure showed up and it has the construction of the prenda as a general theme composed by six sub-themes selected through the screen of photographs the surrounding; prenda s makeup, the changing making of and making themselves up; the dance, the initial connection between the woman and her role in the Tradition Center, one element which all the garments is organized; the singing, the voice as an musical instrument through the rhythm, de tuning and the interpretation is one of the modalities of the contests that the DTG subscribe their participants; the relationship with the peon, characterized by the interpretation during the dances under the eyes, smiles, the entourage to the prenda and valorizing of her delicacy. The work that was done, was based in two dissertations chapters of bibliographic research and the third one having the photographs produced and the elements needed for the production and execution of one photographic exposure