A linguagem simbólica nas pinturas parietais da Fazenda Mundo Novo - Sergipe

• Ano de defesa: 2015
• Autor(a) principal: Ghiggi, Vani Piaia
• Orientador(a): Santos, Jenilton Ferreira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Sergipe
• Programa de Pós-Graduação: Pós-Graduação em Arqueologia
• País: Brasil
• Palavras-chave em Português: Arqueologia; Pinturas rupestres; Semiótica; Canindé de São Francisco (SE); Arte rupestre; Arqueologia contextual; Signo
• Palavras-chave em Inglês: Rock art; Contextual archaeology; Semiotics; Sign; Archaeology
• Área do conhecimento CNPq: CIENCIAS HUMANAS::ARQUEOLOGIA
• Link de acesso: https://ri.ufs.br/handle/riufs/3230

The sites of rock art, term conventionally defined and used by a great number of researchers, about this subject, are expressed since the Paleolithic. The developed studies aimed to understand the presence of these archeological sites are not notorious in Sergipe State. In these terms, there was a concern to develop a more detailed research on rock art and the symbolic universe of its producer, since the Canindé de São Francisco is pointing as a place of great archaeological potential and raises discussions about it. When analyzing the figures applying the semiotic method, it was noticed that the sites with rock art inserted into the Mundo Novo Farm can be read as signs that communicate. Each has its own peculiarities and similarities in the types of signs displayed in a color of the symbolic elements shared among individuals living in the area. The semiotic approach to rock art was made possible by the establishment of subdisciplinary fields in Arqueologica, consolidated in the last decade.