Oficinas de leitura literária : o corpo feminino em Marina Colasanti

• Ano de defesa: 2018
• Autor(a) principal: Torres, Érica Gislene Paula Santana Revoredo Nascimento
• Orientador(a): Gomes, Carlos Magno Santos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação Profissional em Letras
• Palavras-chave em Português: Leitura literária; Formação do leitor; Estudos de gênero; Leitores
• Palavras-chave em Inglês: Literary reading; Training of the reader; Gender studies
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://ri.ufs.br/jspui/handle/riufs/7734

This Final Conclusion Work (TCF) is written in the format of a dissertation and presents a practical proposal of training intervention for critical literary readers. This approach was realized through pedagogical workshops of reading of short stories of Marina Colasanti, which theme the violence against women in the domestic space. In a didactic way, this version is divided into two parts: a theoretical one, called "Reading of the female body: concepts and methodological approaches", and a practice, "Literary workshops: questioning domestic violence". This field research took place at a municipal school in Ribeirópolis/SE, in a class from the 9th year of elementary school. As this is an intervention action peculiar of the action-research, this study happened in three moments: bibliographical research and preparation of the workshops; application of these and data collection and, finally, the reading practice developed in the workshops. Methodologically, we discuss the formation of the reader of the literary text through the theoretical approaches of Umberto Eco, Anne Rouxel, Leonor Werneck, Armando Gens and Carlos Gomes, valuing the particularities of the literary text and acting of a collaborating reader; Next, we pass over to a study of the marks of gender violence in literary narratives through Judith Butler's approaches about gender deregulation, the classification of the female body by Elódia Xavier and the types of domestic violence highlighted by Marina Colasanti according to Carlos Gomes. The intervention proposal was divided into seven workshops. The first two are aimed at identifying the horizon of students’ expectations about domestic violence through the identification of the typology of the female body proposed by Elódia Xavier. The third and fourth workshops are practices of reading of Colasanti’s short stories, developed through debates, production of drawings and answers to questionnaires. The last workshops recapture the discussion about gender inequality in several spaces: reader community, at the media and into the literary text and privilege the elaboration of critical multimodal readings of the selected stories with the choice of images for the elaboration of videos. Finally, the participants set up a presentation in digital format of the story read and show to the workshop participants. In addition to the training of literary readers, this practical proposal of intervention is intended to promote reflections about the social traits of gender inequality, identifying and combating the symbolic and psychological forms of domestic violence.