A exibição de si no ambiente virtual : uma abordagem teórica feita em concordância com os escritos de Heinz Kohut

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Alves, Carla Faro lattes
Orientador(a): Cunha, Eduardo Leal lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Sergipe
Programa de Pós-Graduação: Pós-Graduação em Psicologia Social
Departamento: Não Informado pela instituição
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://ri.ufs.br/handle/riufs/5982
Resumo: This work intends to study the virtual self- exhibition, believing it maintains an intimate relation with today´s man narcissistic manifestations flood. This manifestations, in our perspective, are the main responsible for a new discursive style widely present in the media (social networks), but that also finds representatives in film and television (the reality shows and intimacy documentaries). All these examples, are related to a new process for existence aesthetics, therefore are a new form of being subject and in the world. We will direct our attention to the speech itself in the virtual environment and it existential anesthetization in order to understand them in the psychoanalysis field. In order to attend this assumption, we will use the Heinz Kohut´s writings on the Self Psychology and narcissistic transference mobilizations. Through this theoretical conceptualization, we propose that the virtual self- exhibition e is the grandiose self´s expression. Just as we have confidence that narcissism present in social networks are also this archaic structure byproduct. To better grasp what all this means, we will lay them in symptomatic level. Not because they are necessarily pathological, but because this theoretical device transforms them into a phenomena that decrypts itself. Based on this thinking, we seek to understand the facebook bonds and what it makes visible regarding new contemporary subjectivity modes.