Reflexão sociológica sobre a produção do patrimônio cultural brasileiro

Detalhes bibliográficos
Ano de defesa: 2013
Autor(a) principal: Prado, Marla Michelle Nascimento Portela do
Orientador(a): Carvalho, Ana Paula Comin de
Banca de defesa: Weisheimer, Nilson, Cerávolo, Suely de Moraes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Recôncavo da Bahia
Programa de Pós-Graduação: Programa de Pós-Graduação em Ciências Sociais
Departamento: CAHL - Centro de Artes, Humanidades e Letras
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://ri.ufrb.edu.br/jspui/handle/123456789/693
Resumo: We dedicate this macro sociological research production of cultural heritage with the application of theoretical and methodological assumptions of Pierre Bourdieu's field concepts. In this exercise of reflexive sociology, we probe the theoretical possibilities of the tool and simulataneously contextualize cultural heritage with a commitment to demonstrate the validity of theoretical and methodological appropriation. This leads us to investigate the production trajectory of their training and autonomization in social structure. Justified by Bourdieu's production theory, which works as a field, we follow him in investigating the construction of its social structure and boundaries. By this logic, individuals actively participate in structuring with limited field. Within conditions of unequal power and differing forms of appropriation for objective realities, individuals build hierarchies where competing positions are constructed values of legitimacy. Therefore, in this study, we use a retrospective approach in claiming production as a field, and a perspective of investigation on logic in the social structure. With reflection, we demonstrate that the participation of individuals in political negotiation produces cultural heritage.