O corpo como palco da teatralidade humana: marcas na formação acadêmica

Detalhes bibliográficos
Ano de defesa: 2009
Autor(a) principal: Amaral, Augusto Luis Medeiros
Orientador(a): Pardo, Eliane Ribeiro
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Pelotas
Programa de Pós-Graduação: Programa de Pós-Graduação em Educação Física
Departamento: Escola Superior de Educação Física
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://guaiaca.ufpel.edu.br/handle/123456789/1820
Resumo: This piece of writing intends to contribute to the concept of human theatricality, corporifying itself while memories and experimentations are stated. It is a process of development inspired on the philosophy of difference, the device of which is the theater. It tries to make bodies that Interact, transformations, markings, dispersions evident, providing elements that compose a group of practice-theory.Actions and ideas generated during incursions in alien territory, at the frontier among art, philosophy, and education in a changing zone. The empirical field of research is constituted fundamentally from the experience of teaching Educational Philosophy and The Philosophy of Physical Education in the undergraduate course of Physical Education, at the Atlântico Sul College, understood here as the practice of Oneself. Work developed around the recognition of the processes of development of its agents, questioning the formal field of education, the ditional relation between the subject and the object of research, the hegemonic models, and the finished product.The field of problem making appears from the resistance to living and defines the methodological pathway of research.