Entre antigos e modernos: representações de Cleópatra VII na peça “Antônio e Cleópatra”, de William Shakespeare, de 1607

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Lima, Bruna Rafaela de
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
História
Programa de Pós-Graduação em História
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/32303
Resumo: In this work, we address the contributions of William Shakespeare, one of the most famous exponents of Elizabethan drama, in the representation of the Egyptian queen Cleopatra VII in the play "Antony and Cleopatra," written in 1607. Drawing from the concepts of reception (JAUSS, 1994) and representation (CHARTIER, 1991), we perceive how the author imbues his writing with the issues of his time, encompassing the reading of texts from authors of the Greco-Roman classical antiquity for the subsequent construction of the representation of historical characters as components of his theatrical plays. With the transformations in 16th century England as a backdrop, we examine how changes in the political, religious, social, and cultural spheres provided a conducive environment for a new form of theater. Placing Cleopatra as the central character of our investigation, we utilize the concepts of power/powers (PERROT, 1992) to understand her roles portrayed in the play, based on her relationships with other characters, in order to comprehend the author's relevance in this construction. We also aim to provide an overview of how other artistic representations of Cleopatra are derived from Shakespeare's text and explore the possibilities of using the play as a source for teaching history.