Narrativas no jornalismo cultural paraibano: as formas alternativas e o cotidiano nas revistas Fome de Quê? e cenário cultural

• Ano de defesa: 2013
• Autor(a) principal: Parente, Renata Escarião
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraí­ba; BR; Comunicação; Programa de Pós-Graduação em Comunicação; UFPB
• Palavras-chave em Português: Jornalismo Cultural; Jornalismo Alternativo; Cotidiano; Formas alternativas; Revista; Cultural journalism; Alternative journalism; Everyday life; Alternatives forms; Magazines; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/4479

This study sought to understand present manifestations of cultural publications which pose an alternative to cultural journalism made by local traditional vehicles, so as to understand whether these publications produce a discourse on culture and everyday life different from the one produced by large media companies. To accomplish this, we chose as corpus four issues of Fome de Quê? (fmq?) magazine and seven issues of Cenário Cultural magazine, the main publications of this genre that circulate in the state of Paraíba showing the local culture and which are not connected to large communication companies. We analyze the characteristics of these two publications in order to understand which alternatives to the journalism model practiced by conventional vehicles are presented in these magazines. We focus our analysis on the way these magazines are organized as a communication vehicle and on the selection and approach of the guidelines, i. e., we observe how their organization modes, subjects, languages, agendas and goals, among other elements, combine in the creation of their discourse on the culture and the daily life they represent. The research approach was Everyday Life Sociology and the method of procedure was the formism. By highlighting the social forms, everyday life studies give us resources to analyze the parts, the alternative forms, in a context that does not favor the definition of the whole, in our case, the framing of the magazines as completely alternatives.