Mise- en- scène e personagem em a árvore da miséria de Marcus Vilar

• Ano de defesa: 2016
• Autor(a) principal: Palitot, João Paulo Feitoza Clementino
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Administração; Programa de Pós-Graduação em Administração; UFPB
• Palavras-chave em Português: Mise-en-scène; Personagem; Marcus Vilar; A árvore da miséria; Cinema paraibano; Character; A árvore da miséria (The tree of misery); Paraíba cinematographic work; CNPQ::CIENCIAS SOCIAIS APLICADAS::ADMINISTRACAO
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/11655

This dissertation's goal is to analyze the movie "A árvore da miséria" (The tree of misery) (VILAR, 1998), giving special attention to the mise-en-scène (stage setting) and character categories since those were the main parts of the film building process. The correlation between stage setting and character is also one of the issues of this work. The reason is that the relocation of the actors bodies at the scene is necessary for the full development of the stage setting category (BORDWELL; THOMPSON, 2013). The fact that our object of study is a film version of the literature, written by Fernando Ferreira, will also be a point of attention. The study of the dialogue between these two forms of art (HUTCHEON, 2011) seeks to understand the exchanges between literary and audiovisual objects.