Entre o teatro e a canção: uma leitura semiótica de Gota D'Água

• Ano de defesa: 2013
• Autor(a) principal: Trindade, André Guedes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraí­ba; BR; Letras; Programa de Pós-Graduação em Letras; UFPB
• Palavras-chave em Português: Literatura brasileira - Crítica e interpretação; Semiótica da cultura; Teatro e canção; Semiotics of Culture; Modelling systems; Theatre; Song (MPB); Gota d Água; LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/6228

This research aims to investigate and develop a semiotic study about the dialogical interactions between the theatre and the song systems in the play Gota D Água (1975) written by Chico Buarque and Paulo Pontes. To achieve this purpose will be required a combination of theories from the Semiotics of Culture, the dramatic language and the song, emphasizing the studies on Brazilian Popular Music (MPB). Thus, we intend to create an inter-semiotic dialogue between the theatre and the song, considering them as two structural semiotic languages to the understanding of the play Gota D Água. In this study, both dramatic language and the song (MPB) language will be considered as a second-degree modelling system, once they convey their own meaning and have singular codifications in relation to the natural language, the first-degree modelling system. Through the establishment of this semiotic network, we hope contribute to the increasing of the systemic communication network of culture itself.