A relação entre discurso verbal e musical na elaboração das obras última vez e como ousam

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Miranda, Antonio Luiz Drummond
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Voz
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/32616
Resumo: The research conducted during the master's degree in creative processes aimed at investigating and delving into issues related to the interaction between text and music in the composition of two works, both written for narrator/singer and string quintet. Each work was based on the speech of two personalities. The first, titled Última Vez (Last Time), addresses the acceptance speech of the 2014 Nobel Peace Prize, delivered by Malala Yousafzai. The second, titled Como Ousam (How Dare You), is based on Greta Thunberg's speech delivered at the United Nations summit in 2019. The research used, for both pieces, compositional tools such as intertextuality, gestural elaboration within the context of music-theater and spectral music procedures. These tools took as their starting point the voices of the two activists, extracting elements from both speeches that depict their struggles, objectives, achievements and journeys. The notational strategies used in the scores consider the nature of speech, utilizing its rhythm, accentuations and contours to compose not only the part for the narrator/singer but also to determine the interaction of the string quintet. On a macro scale, the textual element ultimately structures the works, subdivided into parts and segments, with the musical element engaging in dialogue with the text, which predominantly coordinates the temporal unfolding in the works.