Dramaturgia e liberdade

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: Melo, Vadelma Silva
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
Artes Cênicas
Mestrado Profissional em Artes em Rede Nacional
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/12450
Resumo: This research refers to the case study with high school students in class and their involvement in forming a theater group in a school Paraiba state system in the town of Fagundes. It is an interdisciplinary experiment that demonstrates the work contextualized between disciplines Art and Philosophy, in order to test the effectiveness and applicability of this practice in the classroom, in order to improve the quality of teaching and learning, and the ability to be adapted for other partnerships in education. To accomplish this purpose we did the part in the assembly Between Four Walls philosopher and playwright Jean-Paul Sartre, in a contextualized way, integrating philosophy and dramaturgy. In view of this, we started a research on the concept of freedom in the common sense and Sartre, watching as his philosophical theory is implemented in its dramaturgy, especially in the play chosen for the scenic assembly. The resulting analysis of this study showed that the philosophical reflections and dramatic creation will help and complement each other, revealing impacts on the quality of education and socio-cultural context of the school community, and to promote philosophical reflection, the artistic appreciation of students and grant the dramatic creation in school. However, the steps of this work were understood beyond the classroom, with a methodology that involves the dialogic exhibition, debates, textual productions, dramatic readings, field classes, rehearsals and performing presentations.