Vau da Sarapalha à luz da semiótica: uma análise do espetáculo

• Ano de defesa: 2015
• Autor(a) principal: Nunes, Ana Maria
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Letras; Programa de Pós-Graduação em Letras; UFPB
• Palavras-chave em Português: Vau da Sarapalha; Semiotic Study of Cultures; Semiótica da Cultura; Signos Teatrais; Sistemas Modelizantes; Theatrical Signs; Modelling System; LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/8302

This research focalizes the way the theatrical signs are structured and organized in the dramatic spectacle Vau da Sarapalha, performed by the Piollin Company during two decades. The main objective of this academic work is the understanding of how the theatrical code operates the catalyzing process of different semiotic languages that interact dialogically to generate the meaning of the dramatic perform. The methodology employed includes the examination of different signs that are responsible for the meaning of the performance, such as: the gestures produced by the actors, the scenery’s objects, the music, the lighting, the costumes and the linguistic signs, among others. Scholars who follow the approach of the Semiotic Study of Cultures, as for instance, Lotman, Machado, Schnaiderman, Bakhtin and Jakobson, will support the analysis. The contributions of Pavis, Fischer-Lichtie, Ubersfeld and Guinsburg, theorists who studied the theatre as a semiotic system, were also essential to the development of this analysis. In this way, this research intends to contribute to the understanding of Vau da Sarapalha as a semiotic text.